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St. Lo
Drive, Clifton Park
This magnificent Gothic
revival
stone and tile-roofed structure was built between 1887 and 1888. It was
built to house the machinery used in the operation of Lake Clifton,
which was once part of the city’s water supply and was
connected
to Lake Montebello to the north by a 108-inch underground pipe. Large
wheels were set underneath the floor of the Valve House to regulate the
flow of water from Lake Montebello. Lake Clifton began to be filled and
developed with Lake Clifton High School in 1962. No longer needed, the
Valve House was abandoned at that time. Designed in the style of a
small medieval cathedral, it was listed on the National Register of
Historic Places in 1971. By then it was already in a state of disrepair
and Baltimore Heritage first recognized it as endangered. Baltimore
City owns the building, and in 2003 a private developer began plans for
the restoration and reuse of the building. This effort did not mature,
and the City continues to own the building. The American Institute of
Architects, Baltimore Chapter, is hosting a design charette scheduled
for the Fall of 2007 to focus on the Valve House.

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Built between
1805 and 1810 by
bricklayer William Jones and most recently occupied by Devine Seafood,
this red brick, two-and-one-half-story Federal style building is
perhaps the oldest remaining structure on the West Side. Although
altered over the years, the Jones House remains in remarkably good
condition and is considered a contributing building subject to
development guidelines under the West Side Memorandum of Agreement
between the Maryland Historical Trust and the City of Baltimore.
The building is now owned by the City and in the summer of
2007,
the Baltimore Development Corporation issued a request for proposals to
develop the site. Currently, the BDC has not selected a developer or
development proposal, and whether the building will be preserved is
unknown.

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Built to house the
Baltimore branch
offices of the Pennsylvania Railroad Company, this structure at 200
East Baltimore Street was an early commission of the architectural firm
of Parker & Thomas (later Parker, Thomas & Rice), the
pre-eminent architects of Baltimore’s Beaux-arts commercial
&
financial structures of the first quarter of the twentieth century. The
three-story brick building, which occupies a corner site on one of
Baltimore’s most historically significant commercial
intersections, complements the nearby Alex. Brown & Sons
Company
building in both style and scale and reflects the architectural trends
in Baltimore’s business and financial center following the
Great
Fire of February 7-8, 1904. The building’s completion by July
1905 indicates the rapidity with which the Pennsylvania Railroad and
the city’s other business institutions rebuilt in the area,
thus
maintaining their association with the part of the city that had
functioned as its financial and commercial heart since the eighteenth
century. Currently vacant, the building occupies a site in an area
undergoing intensive redevelopment. Adjacent buildings were recently
demolished for a surface parking lot, and the Pennsylvania Railroad
Building has been considered recently for demolition as well. The
building lies within the boundaries of the Business &
Government
National Register Historic District, and it was featured in the Built
to Last exhibit at the Maryland Historical Society in 2002.

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This row of
eight, slightly
altered, red brick buildings most likely dates from the 1840s. The
south side of the same block and that of the 500 block contain sporadic
buildings from the same period, but many original buildings in these
rows have been demolished or severely altered. The row on the North
side of the 600 block has survived largely intact. The University of
Maryland at Baltimore, which now owns the block, has indicated that it
intends to preserve the houses. In April, 2006, the University signed
an agreement with the Maryland Historical Trust agreeing to preserve
this row of pre Civil War historic buildings. Baltimore Heritage first
included this block on Lexington Street in 2002, before the University
of Maryland’s commitment. The University’s
commitment has
greatly advanced the prospects for preservation and renovation, but to
date no work has been done.

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400 Block of Park
Avenue, West Side
On the east side of the
400 block
of Park Avenue stand numbers 405-411, four paired, three-story stuccoed
brick townhouses whose elliptical blind arches above the doorways and
some of the windows resemble those on architect Robert
Mills’s
now-demolished Waterloo Row. These structures, which are owned by the
Enoch Pratt Free Library, are designated as “contributing
buildings to be preserved” under the West Side Memorandum of
Agreement between the Maryland Historical Trust and the City of
Baltimore. These buildings were photographed by the National Park
Service’s Historic American Buildings Survey in 1936, a
testament
to their significance in the architectural history of the region. The
west side of the block includes three two-and-one-half-story Federal
style houses, rare survivals in this area of the city. These buildings
are considered “contributing buildings subject to development
guidelines” under the West Side MOA. Currently, the Enoch
Pratt
Library has not publicly announced any plans for the buildings it owns
in the 400 block.

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801 North
Arlington Street, Lafayette Square
Built in 1868, the Sellers
Mansion is a
three-story Second Empire brick house with a mansard roof that rivaled
its outer suburban contemporaries in size, quality of craftsmanship,
and attention to detail. Its carved stone lintels, patterned slate
roof, original roof cresting, and its two classically detailed
porticoes (one of which still retains its elegantly carved wooden
columns and capitals) identified this household as one of taste and
affluence. Although carefully restored in the 1960s and adapted to a
variety of community uses through the early 1990s, the mansion
currently stands vacant and in an advanced state of deterioration. The
windows are missing, wood trim is rotting, and exterior masonry is
deteriorating. The roof has failed in a number of places. The mansion
occupies a prominent corner of Lafayette Square in West Baltimore and
is at the center the Old West Baltimore National Register Historic
District. This district, with over 5000 contributing structures, is one
of the largest predominately African American historic districts in the
country. The mansion is the only remaining detached private residence
on the Square, and one of the first residences constructed there. It is
owned by St. James Episcopal Church, also located on Lafayette Square.
The Church has expressed an interest in restoring the building. The
building was included on the 2006 inventory of endangered buildings by
Preservation Maryland. With advanced deterioration, work will need to
begin soon if the building is to be preserved.

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A Baltimore City Landmark
since 1976
and declared one of Baltimore’s “architectural
gems”
in a March 8, 2002 Baltimore Sun editorial, this 1869-1870
Italianate-style, red-brick and white-trim structure is the
city’s oldest surviving purpose-built public school building.
It
is also a memorial to the post-Civil War expansion of secondary
education opportunities in Baltimore. The school is listed on the
National Register of Historic Places and has appeared on the
Register’s travel itinerary of historic sites in Baltimore.
The
building was renovated and converted into apartments in the 1970s.
Baltimore City transferred the building to Sojourner-Douglass College
in 2004. It continues to stand boarded up and vacant.

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The three houses at 606,
608, and 610
Cathedral Street are all that remain of the elegant nineteenth-century
townhouses that once lined this block off West Mount Vernon Place.
Built between 1850 and 1860 on land originally owned by John Eager
Howard, the three houses served as primary residences for prosperous
merchants in the tobacco and other trades who had flocked to
Baltimore’s fashionable new Mount Vernon neighborhood and
whose
reputations in business and society grew in tandem with the
neighborhood’s prestige. The house at 610, attributed to the
Baltimore-based architectural team of Niernsee & Neilson, among
the
region’s most sought-after nineteenth-century architects,
operated for several decades as part of the Mount Vernon Hotel,
reputedly Baltimore’s first “family
hotel” and the
preferred residential hotel of travelers and extended-stay visitors of
distinction. The Walters Art Museum has acquired the three townhouses.
The Museum has not publicly indicated how the townhouses fit into its
ongoing planning for museum expansion.

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200 Block
of West Lexington Street, South Side
The 200 block of West
Lexington Street
is in the heart of the “Superblock” redevelopment
area on
the City’s West Side. The south side of the street is an
intact
block of historic buildings, a rare occurrence in this part of old
downtown. Lexington Street was once a busy shopping hub for Baltimore
and is a block away from the renovated Hippodrome Theater. The block
has sat in a deteriorated state for many years as the planning has
plodded along for the larger Superblock redevelopment. The Baltimore
Development Corporation recently awarded development rights for the
block to the Chera / Dawson Group. The current plans call for the
demolition of virtually the entire block to clear the area for new
mixed-use construction.

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The 400 block of West
Baltimore Street
was the location of the first toll booth of the National Road. The
block, across from the Hippodrome Theater, is a mostly intact street
wall of historic properties. It includes two of the last nine full cast
iron fronted buildings left standing in Baltimore (see entry below for
cast iron buildings). Most of the buildings on both sides of the block
are protected under city ordinance and are listed as
“contributing buildings to be preserved” under a
written
memorandum of understanding between the city and the Maryland
Historical Trust. Many of the buildings are owned by A&R
Development Corporation and David S. Brown Enterprises. The development
team offered to retain the facades of the block and build a large new
building over top, which the city’s design review committee
rejected, and then unsuccessfully sought an amendment to urban renewal
plan to allow for complete demolition. Currently, the developers have
not publicly released their plans for the block.

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3800 North Charles Street
The Scottish Rite of
Freemasons began
construction of the temple building on north Charles Street in 1930,
and the building was opened in 1932. The building was designed by noted
architect (and Scottish Rite Mason) Clyde N. Friz and renown architect
John Russell Pope. Friz’s other works in Baltimore include
Enoch
Pratt Free Library and Standard Oil Building. A nationally renowned
architect, Pope designed the Jefferson Memorial, National Archives,
National Gallery of Art, and the Masonic Temple of the Scottish Rite in
Washington, as well as the Baltimore Museum of Art here in Baltimore.
The Scottish Rite Temple on Charles Street is both Italian Renaissance
and Beaux Arts Classical in style, with a columned portico based on the
Pantheon in Rome. Eight 34-foot columns with Corinthian capitals
provide the entrance facing Charles Street, and the entry consists of
two massive bronze doors. The Scottish Rite Masonic order continues to
occupy the building but has announced its intentions to move and sell
the building. Currently, no buyer has been identified and no plans have
been announced. CHAP is considering recommending the building for
landmark status.

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310 Guilford Avenue
The six-story Terminal
Warehouse was
built in 1894 with “superior grade” hard pressed
brick and
solid wooden beam construction. It is one of the few buildings in the
area to survive the 1904 fire. Touted as fire-proof (although not
tested in 1904), it began as a flour warehouse. Flour and other
commodities arrived from the West by railroad and were stored in the
building awaiting transportation throughout Baltimore. At its creation,
the building was noted for its “superior
workmanship” and
materials, including the use of Port Deposit stone and 12-over-12
windows in segmental arched frames, both at extra cost. A wrought iron
fire escape on the Davis Street side was another unusual feature for
the day and exemplifies the nineteenth century interplay between art
and technology. The signature octagonal water tower on the roof, to be
used in case of fire, has been a landmark for downtown for over a
century. The building was designed by architect Benjamin Buck Owens,
who also worked on the Pennsylvania Steel Company’s
Sparrow’s Point plant and school building in the late 1890s
and
early 1900s. The building was included on the National Register of
Historic Places in 1975 and is listed as a notable property under
Baltimore’s Central Business District Urban Renewal
Ordinance. It
is owned by RWN Development Group, which also owns the adjacent
Hammerjacks Building, which it plans to demolish for a parking garage
and possible future mixed-use development. RWN has not made public its
plans for the Terminal Warehouse Building, but did file a demolition
application in December, 2006. Under the terms of the Urban Renewal
Ordinance, the Housing Department must wait one year before acting on
the demolition permit request.

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1106 West Saratoga Street
1106 West Saratoga Street is part of a row of houses that were built
between 1830 and 1845. The building takes its name after
“Boss” John S. (Frank) Kelly, the leader of the
West
Baltimore Democratic Club who controlled all things political in West
Baltimore in the late 19th and early 20th centuries. John Kelly moved
into the house in the 1860s and lived here for the rest of his life.
Kelly ran the political machine of West Baltimore that elected several
mayors, senators, judges, and state representatives. He was also the
inspiration of Dashiell Hammett’s character Shad
O’Rory in
the novel (and later movie) The Glass Key. Architecturally, the
building is a prime example of the cumulative development of row house
design in Baltimore, and is featured in the 1981 book, Those Old Placid
Rows, by Natalie Shivers. The house and the others in the row are
unusual, possibly unique in Baltimore, for their single second-story
tripartite windows and gabled roofs. This row has been attributed to
the work of architect Robert Cary Long, Jr., whose father designed a
similar row in the unit block of Mulberry Street in Mt. Vernon. The
Baltimore Department of Housing is in the process of acquiring 1106, as
well as the rest of the row and hundreds of other properties in the
Poppleton neighborhood, to turn over to the private development firm of
La Cite. La Cite’s current plans are to retain the Boss Kelly
House and demolish all the other buildings in the row to build new
housing.

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500 Block of Gay Street
The 500 block of Gay
Street, the heart
of Old Town Mall in the Jonestown neighborhood, is a full block of
intact historic commercial properties that contain over 200 years of
architectural heritage. In 1818, Baltimore constructed the Bel Air
Market on this site, the sixth in the city’s market
operation, to
accommodate the growing commercial center at the hub of streets leading
out to the countryside and into the city. By 1836, the 500 block of Gay
Street was lined with solid brick buildings. The buildings, 64 in all,
largely fall into three architectural categories: row house shops
(mostly two stories with dormers) that date to the 1820s; Victorian
stores, dating from the 1870s and wider and taller than the earlier
rowhouse shops; and 20th century stores that emphasize Art Deco,
Moderne and Sullivanesque styles. Some of the buildings are the last in
the city to have cast iron fronts. The 500 block of Gay Street was
closed to traffic in 1968 to create a pedestrian walkway that the city
hoped would help business. Today, the Baltimore Development Corporation
is overseeing a large redevelopment for the area. The goal is to
attract additional commercial activity to the Mall and surrounding
area, and will begin by returning the street to vehicular traffic in
2008. The 500 block was designed a CHAP district in 2004. There is no
plan to demolish any of the buildings in the 500 block, but many of the
buildings are in desperate need of renovation.

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Baltimore is an American
center for
cast iron buildings, although the number left standing in Baltimore is
dwindling. A century ago, there were more than 100 of them. By 1962,
the city was down to 36 buildings with full cast iron fronts. Today,
there are only 9 of these left, and an additional 13 with cast iron
storefronts. Many cast iron buildings were destroyed in the 1904 fire,
and many more were demolished as part of various urban renewal
projects.
Cast iron, unlike wrought
iron, is
formed by pouring hot iron into a mold. The Sun Iron Building, built by
A.S. Abell in 1851, was the initial large-scale commercial building
built using all-iron construction. This building, which received
international acclaim, perished in the 1904 Fire. Between roughly 1850
and 1900, cast iron became a new and desirable building material across
the United State. Baltimore’s Bartlett, Robbins & Co.
was one
of the nation’s premiere architectural iron works facility
and
produced many of the city’s cast iron fronts, as well as
fronts
for buildings in New York, New Orleans, and Portland Oregon, among
others. With the advent of steel and new construction techniques at the
turn of the 20th century, however, the use of architectural iron
decreased sharply. Today, the cast iron fronted buildings left standing
in Baltimore are a beautiful and important link with our past.
Today, most of
Baltimore’s cast
iron buildings are on the National Register of Historic Places. This
provides some level of preservation protection when there are federal
or state funds involved in a redevelopment project. It does not provide
any protection when private financing or city funds are used
exclusively.
Of the cast iron fronted
buildings once
standing in Baltimore, the following are all that remain. These were
identified by James Dilts and Catherine Black in their 1991 book on
Baltimore’s cast iron architecture, Baltimore’s
Cast-Iron
Buildings & Architectural Ironwork, published in association
with
Baltimore Heritage.

202-206 West Pratt Street
(1870)
300 West Pratt Street (1871)
318 West Redwood Street (1852)
414-418 West Lombard Street (1890)
519-525 West Pratt Street (1892)
Cast Iron Buildings on the West Side
307-309 West Baltimore
Street (1875)
329-335 West Baltimore Street (1878), the Abell Building
332 West Baltimore Street (1867)
407 West Baltimore Street (1875)
409 West Baltimore Street (1875)
412 West Baltimore Street (1857)
414 West Baltimore Street (1876)
419 West Baltimore Street (construction date unknown)
121 North Howard Street (1875), the McCrory’s Building
22-24 South Howard Street (1881), the Rombro Building
40-42 South Paca Street (1887)
118-120 North Paca Street (1883)
100-102 North Greene Street (1895)
Cast Iron Buildings in Old Town
235 North Gay Street
(1875)
353 North Gay Street (1871)
Cast Iron Buildings in Fell’s Point
813 South Broadway (1860),
the Port Mission Building
1638-1640 Thames Street (1862)
Recently Demolished Cast Iron Buildings
1031 West Mulberry Street
(1871, demolished 2000)
26-30 South Howard Street (1880, demolished 2002)
423 West Baltimore Street (1893, demolished 2000)
509-511 West Lombard Street (1893, demolished 2006)

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Once a staple of the
Baltimore
landscape, wooden houses of the late eighteenth and early nineteenth
centuries are now an endangered resource in Baltimore. The neighborhood
of Fell's Point has the highest collection of remaining wooden
structures: eight. Wood houses date to the earliest development of
Fell’s Point, but really took off when Ann Fell took over the
task of developing Fell’s Point in the late 18th Century. To
maximize sales (and profits), she imposed a covenant on each lot she
sold requiring the owner to develop a house not less than 400 square
feet within 18 months. As wood was the most prevalent building
material, the fast growing Fell’s Prospect (as it was then
called) developed largely with this material. In 1799, the fear of fire
prompted city officials to prohibit building new structures of wood
within the city center. Although the ordinance did not apply to
Fell’s Point, new construction increasingly was accomplished
with
brick here as in downtown Baltimore.
The remaining wood houses
range from
simple single room dwellings to multi-story buildings three bays wide
and with dormer windows. The number of these early wood houses has
dwindled over time. In 1798, there were over 400 wood houses; in 1880
there were 280; and today there are 8.
Stacy Patterson worked
with Baltimore
Heritage in 2006 to identify the remaining wooden houses from the late
1700s and early 1800s in Fell’s Point.
The following buildings
constitute the remaining stock in Fell’s Point.
1627 Aliceanna Street
(circa 1790s)
713 South Ann Street (circa 1800)
717 South Ann Street (circa 1800)
719 South Ann Street (circa 1800)
809 South Bond Street (unknown construction)
707 South Register Street (circa 1760-1780)
612 and 614 South Wolfe Street (circa 1798-1801)
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